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Monday, 31 October 2011

Adobe Museum of Digital Media / Filippo Innocenti

Filippo Innocenti, co-founder of the UK-based architecture firm Spin+ and an associate architect at Zaha Hadid Architects, was selected by Adobe for the design of an entirely digital museum. Adobe wanted more than a website designer; they were looking for a way to make the space feel “physical’. While Innocenti designed the Museum as a real architectural project, the website design was left to the London-based digital production company Unit9.
The Adobe Museum of Digital Media was designed without concerns such as technical constrains, budget, or natural forces. Innocenti collaborated closely with award-winning designer Piero Frescobaldi, who served as the “building contractor” for construction of the virtual space. Initial design ideas, revolving around spaces devoid of gravity, were too far from the real feel of a building. However, the final design is far from conventional. In real life, the Museum would span over 620, 000 square feet. The visitor first encounters a podium structure resembling a nest of swirled ribbons, which holds the main exhibition spaces and an auditorium for web meetings. The open atrium is home to the exhibitions, which will include works that examine broadcast communications and product development in addition to art. A fluidly shaped set of towers house the archives rise from the base. The entire museum is reconfigurable, so galleries can be adapted to each artist’s vision, and the archives can grow.

“Numen/For Use” Creates Web-Like Structures from Transparent Adhesive Tape



The Austro-Croatian design collective Numen/For Use was established in 1998, as a collaborative effort of industrial designers Sven Jonke, Christoph Katzler and Nikola Radeljković. Since then they have worked on numerous projects, some of which investigating ideas beyond the field of industrial design. From the scenographic project for the production of “Inferno” in the National Centre for Drama in Madrid, to the series of temporary installations under the common title “Tape Project”, their work seems to be continually engaging with issues of spatial experimentation.
The main idea for the installations was to attempt to capture visual residues of choreographed movement. The form evolved from retroactive visual mapping of the dancer’s movement, as if representing a frozen 3d recording of the choreography. The subtlety of the movement is translated into a surprisingly strong object, capable of sustaining  human weight. It is an organic, web-like structure made from transparent adhesive tape. Wrapping of the existing building elements results in a surface that can be entered by visitors. The sculpture is thus transformed into architecture, inhabitable and public, communicating concepts of “social turn” and “community-based art”.
The Tape Projects were so far executed in Vienna, Frankfurt, Berlin, Belgrade, and most recently, Melbourne, all part of local design exhibitions and festivals. They are travelling examples of informal art, discreetly inhabiting empty auditoriums, lobbies and public squares.

Artist retreat by 0 to 1 architects



'artist retreat' by 0 to 1 architects, fiskars, finland
image © 0 to 1 architects
all images courtesy of  0 to 1 architects


0 to 1 architects, a new york-based firm has completed an 'artist retreat', located in fiskars, finland. the village is a popular tourist
destination for the artisan community and hosts many events and exhibitions during the summer months. located on the property 
of a finnish fine artist, this structure took its form its surrounding climate, culture and recommendations of the client.

the section of the structure is a quarter of an octagon. the volume increases in size from building's front to back creating separate 
areas for different activities. the largest room contains the utility cube with sleeping loft above while the central work studio opens 
to an outdoor terrace which conforms to the angled roof enclosure. ranging from 2.1 meters to 4.3 meters in height, the trapezoidal 
door is a pivot wall connecting the interior space to the exterior terrace. the structure takes its form from vertical wood boards and 
glass surface the outside while concrete footings were used for the design. 



entrance
image © 0 to 1 architects




interior perspective
image © 0 to 1 architects




floor plan / level 1
image © 0 to 1 architects




section
image © 0 to 1 architects




elevation diagram
image © 0 to 1 architects

Toyo ito: taichung metropolitan opera




construction begins of the taichung metropolitan opera house, designed by toyo ito.
the ground-breaking ceremony for the second-stage main construction of the taichung
metropolitan opera house was held on dec. 3, 2009.
the theater is expected to cost NT.36 billion (US5 million) and will take over four
years to complete. the opera house is now on track for a december 2013 ribbon-cutting.
according to taichung city officials, the project was put up for bid five times over the past
several years but failed to attract suitable tenders due to associated engineering challenges.
while other major cities in taiwan are all known for something, taichung, a city of roughly
1 million residents whose name means 'central taiwan' in chinese, has trouble finding
anything to distinguish itself from taiwan's other metropolises. today it is seen as one of
the most cultural cities in taiwan.

model of the taichung metropolitan opera house

the main structure will be formed with several connecting curved walls, inlaid floors,
inlaid interior and exterior walls, and a core service wall. the curved wall structure will
be formed with 58 curved wall units, creating many complications in building steel bar
reinforcements and steel trusses. the construction technique is the first of its kind in the
world of architecture and has never been seen before in the taiwanese engineering industry,
which meant that many local construction companies failed to show interest in participating
in the project. in order to acquire the cooperation of the ideal company, the city government
visited many potential collaborators and finally signed a contract with lee ming construction.
wu chun-shan, president of lee ming construction, said building such a structure containing
three-dimensional curved walls was generally thought impossible.
'but we are making the impossible possible'.


drawing of the taichung metropolitan opera house


drawing of the taichung metropolitan opera house


integrated in the landscape


spatial organization


left: audience circulation, right: VIP and office circulation


ito’s work has  been highly concerned with the notions of an all-encompassing, ever expanding space.


a nearly 4m large-scale model. ito made full-scale structural models to simply prove its integrity.



continuos surfaces in an open structure which actively engages its surroundings in all directions
and creates great opportunities for artists and visitors, stage and auditorium, interior and exterior.


toyo ito calls this space the 'sound cave', a horizontally and vertically continuous network.


toyo ito
portrait © designboom



illustration by studio toyo ito
issues of the environment, resources, and energy
1. recycling of rainwater and sewage
the rain falling on the large roof surface will be collected and filtered for use in 
irrigation and sprinkling for landscaping plants, etc. sewage from the facility will be 
processed in a purification tank to approximately 5ppm BOD and 5ppm SS, and then 
reused as an intermediate water supply for purposes such as toilet flushing.

2. use of eco-materials
the majority of materials used will be recyclable eco-materials. this helps to limit the 
environmental load and conserve resources, thereby contributing to the reduction of 
carbon dioxide emissions and prevention of global warming.

3. adjusting the surrounding environment for energy savings
when adjusting the environment of an architectural space, it is not enough to devote 
one's energies solely to the load inside the building. it is also essential to arrange the 
environment outside the building in a way that reduces the load inside the building. 
in this plan, we have given consideration to increasing greenery, creating shade, and 
using the evaporative latent heat of water.


part 1

part 2


part 3


section drawing

part 1


part 2


part 3
construction process
the structural system is developed together with the construction
method to realize the freeform geometry in rational and efficient manner.
the freeform concrete surfaces are shotcrete (spray concrete). it is commonly
utilized for tunnel construction and suitable for curved surface. it can be shot
horizontally or vertically. rather than constructing doubly curved formwork that is 
expensive and time consuming on site, the temporary structure in the void creates 
faceted surfaces that best-fit the finished surface. between the temporary steel work,
expanded metal mesh is expanded metal mesh spans between the temporary steel
work to act as faceted formwork. 150 mm thick concrete can be shot at one time.
the surface layer of 25 mm is shot separately without large aggregate to achieve
smooth surface finish. concrete thickness varies between 200 mm at the top floor
and 350 mm at the bottom.


challenging technique
sprayed concrete construction method
typically, an expanded metal mesh is used as a permanent back shutter to which the
the reinforcing mesh is affixed. the concrete is sprayed onto the expanded metal
and the reinforcement is fully enclosed. the concrete is typically sprayed using one of two
methods. with the dry process, the dry constituents of the concrete are mixed in a portable
batching plant and the water is added to the mix at the nozzle. with the wet process, the
water is added to the batching plant and premixed with the dry constituents and the wet concrete
is sprayed from the nozzle. the benefits of the wet process are that there is greater control over
the concrete mix as the concrete is often mixed off site by ready-mix contractors and delivered in lorries.
it is common practice to apply the concrete in two layers. the first thick layer is usually applied using
the wet process. once sufficiently cured, a second, thin finishing layer is then applied using the dry process.
it is essential that the finished product is cured appropriately to mitigate shrinkage and to ensure that
design strength is achieved. spraying concrete is a messy process. some concrete will rebound and
some will pass through the expanded metal back shutter. it may be necessary to install temporary
protection to avoid polluting the surrounding area.



grand theatre


black box


play house

site area: 57,685 square meters
floor area: 43,264 square meters

2009 seat grand theatre 4,450 m2
800 seat playhouse 1,770 m2
200 seat black box 520 m2

backstage space 2,630 m2

other space 16,090 m2
management space 1,850 m2
arts plaza 6,000 m2
arts/creative workshop 3,100 m2
total 36,410 m2

Toyo ito awarded frederick kiesler prize for architecture and the arts




'relaxation park' in torrevieja, valencia, spain, 2008
image © toyo ito & associates


this year japanese architect toyo ito has been awarded the frederick kiesler prize for architecture and the arts.
for thirty years ito has created architecture dealing with social and cultural issues. many of his works focus on
nomadic life and the conceptual lightness of the world in terms of constructions, material and coloring. the award
is presented every two years by the city of vienna for extraordinary achievements in architecture.



'meso no mori': municipal funeral hall, gifu, japan, 2006image © toyo ito & associates



'island city' central park, japan, 2005
image © toyo ito & associates



'matsumoto performing arts centre', nagano, japan, 2004
photo © hiroshi ueda